Photography Falls Apart
A series of panel discussions about the practice and conditions of photography today.
A series of panel discussions about the practice and conditions of photography today.
A series of online and in-person lectures on the structures, practices and institutions that shape life in the late 20th and early 21st centuries.
A series of conversations with Indigenous artists, academics, activists, and community members from the global Arctic, North America, and Australia to discuss the concept of Indigenous Visual Knowledge.
A series bringing together researchers from across the world to share their work on critical issues in early, modern and contemporary Asian art.
In 2023, the series focus is on collection, as part of a broader three-year investigation entitled "Cura".
Each year, the Sydney Asian Art Series gathers leading international voices on critical issues in early, modern and contemporary Asian art.
In 2022, the Sydney Asian Art Series introduces its audience to a spectrum of innovative new research on the experience of photography in Asian art.
Convened by Olivier Krischer, and co-presented by the Power Institute, the China Studies Centre, and VisAsia at the Art Gallery of NSW.
A set of workshops for University of Sydney students, focused on artworks by Indigenous artists on campus.
Co-presented by the Power Institute and Honi Soit.
A series of conversations amplifying the rich Indigenous systems of knowledge that persist in Country.
Series convened by Stephen Gilchrist, Deputy Director of the Power Institute.
This series introduces new scholarship on the way visuality shapes the history and politics of identity, technology and imperialism.
Series convened by Nick Croggon, Events and Programs Officer at the Power Institute.
The 2021 Sydney Asian Art Series considers the eco-political flows that cross the landscapes and borders of Asia.
Convened by Olivier Krischer, and co-presented by the Power Institute, the China Studies Centre and VisAsia at the Art Gallery of NSW.
This series explores the rich history of Indigenous linework, from the specific techniques of line-drawing that express Indigenous philosophies of self and community, to the methodologies of storytelling and network building that join Indigenous people to their past, and to other Indigenous communities across Australia and the world.