Photography Falls Apart

Geoffrey Batchen is Professor of the History of Art, Trinity College, University of Oxford. He is a specialist in the history of photography.

Justine Varga is an artist whose work examines the conventions of photography, exploring its process, materiality and relationship with time.
Photo: Peter Morgan

James Tylor is a multi-disciplinary visual artist whose practice explores Australian environment, culture and social history through the perspectives of his multicultural heritage that comprises Nunga (Kaurna Miyurna), Māori (Te Arawa) and European (English, Scottish, Irish, Dutch and Norwegian) ancestry.

Working primarily with photography, Anne Ferran’s practice engages with colonial histories and the absence of women and children from the historical record.

Photo: Les Blakebrough

William Yang was born in North Queensland, Australia. He moved to Sydney in 1969 and worked as a freelance photographer documenting Sydney’s social life which included the glamorous, celebrity set and the hedonistic, sub-cultural, gay community. In 1977 he had an extremely successful exhibition, Sydneyphiles, at the Australian Centre for Photography which launched him as a gallery photographer.

In 1989 he integrated his skills as a writer and a visual artist. He began to perform monologues with slide projection in the theatre. These told personal stories and explored issues of identity. He has done eleven full-length works and most of them have toured the world.

William’s current work is photo based, he has gallery exhibitions, which embrace both documentary photography to works of photo media. Text written on the prints is often a feature of his work. He continues to perform spoken works with image projection in the theatre. He has converted three of his theatre performances, My Generation, Friends of Dorothy and Blood Links into films.

In 2021 William had a major retrospective of his work, Seeing and Being Seen, at QAGOMA in Brisbane. It comprised 250 printed works, videos, and four of his films were shown in a cinema. 

Yvette Hamilton is an Australian artist and researcher of Mauritian descent who lives on Dharug and Gundungurra lands (Blue Mountains, NSW). She is a current practice-led PhD candidate in the School of Art History and Theory at The University of Sydney, and an Associate Lecturer in Photography in the School of Art and Design at the University of New South Wales. Over the past ten years she has exhibited widely across Australia and internationally.  She recently published her paper ‘Beyond Ocular Vision’ in OVER Journal (2021) and convened the ‘Light Matter’ symposium (2019), which was an Australian Centre for Photography and UTS collaboration. In her interdisciplinary practice she explores the evolution of photography and vision in the post-photographic era.

Dorcas Tang 邓佳颖 (she/they) is a Chinese-Malaysian photographer and artist working, thinking, and playing on unceded Gadigal land. She is interested in the crucial intersections of photography, history, and archival silences. As a daughter of the Chinese diaspora, at the core of her practice is care for her communities while grappling with the intrinsic violence of the camera and archival practices. Her audiovisual projects include Los Paisanos del Puerto, examining the Chinese diaspora of Costa Rica; Love Me Long Time, exploring desire, intimacy, and Asian identity; and Staging Portraits which looks at queer kinship through facilitating community photo sessions at The Bearded Tit. Ultimately, she seeks to encourage critical dialogue through creating socially engaged visual narratives.

Professor Julie Cairney is the Pro-Vice-Chancellor (Research Enterprise) at the University of Sydney, where she supports strategies to enhance industry collaboration, improve research commercialisation and increase the impact of the University’s research through partnership with industry, government and the community. A Professor of Materials Engineering, she is also a leading researcher specialising in using advanced microscopy to study the three-dimensional structure of materials at the atomic scale. 

From 2016-2022 she was the CEO of Microscopy Australia, a national infrastructure facility that provides open-access microscopy platforms and expertise across Australia. During that time she oversaw the creation of “Stories and Structures” an art exhibition that celebrates the rich visual parallels between the representations seen in many Indigenous artworks and the microscopic structures hidden in the natural world, revealing unexpected and intriguing similarities.

Professor Peter Tuthill is an expert in astrophysical imaging; studying stars and their immediate environments with unprecedented resolution. After obtaining undergraduate degrees in physics at University of Queensland and the Australian National University, Peter moved to Cambridge University graduating with a PhD in 1995. For the next 5 years, he worked as a Research Astronomer at the University of California in Berkeley in a research group led by Nobel Laureate, Professor Charles Townes. Peter returned to Australia with the millenium, holding a number of Australian Research Council fellowships up to his present appointment as a Future Fellow. Peter works at the Sydney Institute for Astronomy - one of the largest astrophysics groups in the country - serving as director from 2010-2015.

Eleanor Zeichner (she/her) is the Assistant Curator at UTS Gallery, and curator of the Gallery’s current exhibition Image, Interrupted, on view until April 12. Recent curatorial projects include Forensic Architecture: Cloud Studies (2020) and After Technology (2019), both with Stella Rosa McDonald. She has written for un magazine, Artlink, Art & Australia and Vault, and is a former editor of Runway Australian Experimental Art.