![Chairs and clothing stacked together.](/sites/default/files/styles/wide/public/2023-04/kffffff-1024x1024.jpg?itok=XqWnDVbC)
In this seminar Miryam will introduce attendees to her new book, Feeling Media: Potentiality and the Aftermath of Art.
Readings to be completed for the seminar will be circulated in advance.
Registrants are encouraged to bring questions and comments, and to help produce a friendly and intellectually rich discussion.
People
![Headshot of Miryam Sas.](/sites/default/files/2023-04/my-portrait-1024x1024.jpeg)
Miryam Sas
Miryam Sas is Professor of Comparative Literature and Film & Media at the University of California, Berkeley (USA). She began as a scholar of the experimental arts of the early twentieth century with a focus on modernist poetics and literary theory in Japan and France, reflected in her first book, Fault Lines: Cultural Memory and Japanese Surrealism (Stanford University Press, released in 2001). She has a strong interest in the cultural wave of the 1960s-1970s which she has explored through studies of theater, film, animation, dance, and intermedia art, for example in Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return (Harvard University Asia Center Publications, 2010). Her new book on media theory and intermedia art in Japan, Feeling Media: Potentiality and the Afterlife of Art, for which she was awarded a UC President’s Research Fellowship in the Humanities, is forthcoming from Duke University Press.